Talk about the aesthetic schema of contemporary space

On August 27, 2022, Xiwu joined hands with Foshan Radio to bring together a group of outstanding designers and aesthetic listeners to explore the aesthetic schema of modern living and space with the theme of "Words and Residences, No Limits", and tell the beauty of current beauty and life with poetry and distant obsessions. In the sharing and listening of the salon activities, the collision of ideological coordinates in different dimensions once again opened up new connotations and vitality for the proposition of aesthetic space.

Lian Binbin, partner of urban decoration design, Lu Weijian, founder of Jishe Research and Manufacturing, Huang Dawei, founder of Muma Design, and Zuo Jun, founder of Brande Design, four interior designers attending the meeting explored the poetic characteristics of beauty from the categories of humanities and aesthetics, and satisfied people's appreciation of the current spiritual space with a tour of beauty. ...

"Advanced Secret Words for Migrant Workers"

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Lian Binbin, a partner of urban decoration design and interior designer, told the story of his growth with a self-contained system of techniques and tools as a post-90s designer. The use of an advanced set of migrant worker secret words resonated with the audience. Dig deeper into the space case from a younger design perspective. With the strategic thinking of being good at adapting, accumulating momentum, and seeking momentum, he is looking for the act of the birth of beauty.

From the tea shop to the complex commercial space to the residential design deduction that returns to the essence, the aesthetic ontology concept of "beauty is not beautiful, but because of people" is used to announce "the designer itself is a style", and vaguely demonstrates the practice concept of "life is a material of beauty". Through his sharing, the audience seemed to be able to gradually hear the beautiful Sanskrit sounds in life outside of design.

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"Home Aesthetics of Blank Space"

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In designer Lu Weijian's design sharing, "blank space" is an extremely important aesthetic proposition in his design discourse system. His design aesthetic cognition is based on the changing and fluid life, and then affirms the necessity of space blank space in his design system, and denies the immutable, "full and full" space design concept.

In the view of designer Lu Weijian, "home should be soft" and "poetry occurs in seemingly useless space". He resorts to space with restraint and blank space, and the same is true in the concept of beauty, the designer is the person who creates beauty, and he believes that "our aesthetics and preferences can only represent ourselves" from the space and people's aesthetics, arousing the audience's willingness to perceive and imagine.

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"The peaceful beauty of art and design"

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Experiencing the appeal to space is spirituality at its best. Designer Huang Dawei's design map has many other punctuation points that designers have never set foot in, traveling to Africa, Nigeria, Ethiopia... His design sharing also uses this part of the experience as a wedge, and tells his aesthetic point of view in a fascinating way.

He compares space design to "writing a poem and composing a song", which corresponds to the project experience of shaping space with rhythmic musical symbols, and he uses "a ballad" to describe the aesthetic feeling of space, a long and calm sensual feeling like music. His aesthetic creation always pays attention to the "emotional dialogue between people and space", and the space is reasonable and beautiful, and comfortable is just. The audience felt the peaceful beauty of the fusion of art and design.

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"Healing Aesthetics"

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Designer Zuo Jun's design aesthetics shared the pen "healing", which he interpreted as a spiritual level, which can dispel life anxiety and bring relief and psychological repair to people's mental trauma. In his design works, it is often seen in the minimalist aesthetic synthesis of plain colors, natural scenes, geometric structures, and textured materials.

He emphasizes the creation of self-aesthetic DNA in a cognitive environment where silence, seclusion, and wabi-sabi are no longer uncommon. "The sound of silence, the color of silence, and the heart of silence" often follow a certain simple tradition of natural aesthetics, with nature as the preface, light and shadow as poetry, generating a moment of beauty and inadvertent freeze-frame, intercepting the natural and beautiful scenery of the outdoor space.

"Designed for emotional pleasure" in this way he mobilizes the five senses of the occupants and the control of the visitor's state of mind, making the space a shelter for the spirit and the body. His narration made the audience experience a beautiful tour as if they were in a good place.

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The pursuit of space and beauty, humanity and poetry is endless, and the study and communication with a group of designers and consumers is becoming the daily life of Rive Gauche, and the spiritual power and forward-looking perspective that burst out in the exchange and study will be put into brand practice and customer service by Western Dance. Rive Gauche will continue to contribute to the creation of a better living environment and a better form of industry.